Monday 2 September 2013

2012- June - The Hand That Once Held Mine - O'Farrell & The Dissident - Freudenberger


The Hand that First Held Mine            By: Maggie O'Farrell

This book was chosen by Liz as the title requested by O'Farrell was not available. The consensus was that it was a bit contrived, though it was an OK read – a 'passing the time of day' read. It was also said that it was long-winded, the reader was desperate for something to happen.

It was commented that the title is terrible. It looked to be chick-litty, and some thought it would be “Maeve Binchy” ish.

Some found it infuriating that in a book where different chapters occur in different years, that the year was not given at the top of each chapter, especially when it is jumping between two characters 50 years apart. The book was completely written in the present tense, which didn't help when chapters were separated by decades. This was not obvious as there were people who thought that it was completely at the earlier time and surprised when mobile phones were used, and people who thought it was all in the current day.

There was the comparison between the two different experiences of child bearing – Lexie took it in her stride, yet 50 years on, Elinor fell to bits. Ted was annoying about the way that he treated his wife after child-birth.

The word contrived appears again when discussing how both of a couple died in mysterious circumstances, and at the ending where Ted discovers the cache of paintings.

The score was 6 varying from 4 to 7.

Liz commented that we shouldn't write off O'Farrell on the basis of this book. 

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The Dissident                            – Nell Freudenberger

An obscure book – Liz scoured the basement for a book no one else was doing.

The Chinese side of the story was quite good; the American side was 'posey' – an unhappy prosperous empty family. The American characters were considered stereotypical. Opinions about the book varied from 'wouldn't recommend it to anyone' to 'loved it and thought it was full of great characters'.

One of the thoughts about the early part of the book was where was it all going? The actions of the American participants and what was going to be the outcome between Cece and Phil and why did it matter were part of that confusion. The Americans had strange expectations of their Radical Chinese Dissident- Why did they put him to teaching art in a girls high school?

It was an easy read, but not that gripping. One didn't mind being interrupted in one half of the story to change location for the next chapter. The writing was excellent, easy to read, and clear. After saying that there were some of us that did not understand that the young man Yuan who came to America was travelling under false pretences as the papers were actually in the name of his dissident radical cousin. Also some people thought that it was difficult to sort out characters.

There was also the dichotomy of ownership of art between 'X' the dissident who practised live art experiences,called 'installations', some times not to the approval of the government, and the photographer who photographed them and then claimed ownership of the event through his photographs. The events could never be reproduced and have the same meaning as the originals. It brings out the thought that X planned Yuan's trip to America and helped him go as an art experience in itself. Was the idea that all Chinese look alike and therefore he would look like his older cousin, but would be found out by Harry Yin, the American Chinese art scholar?

The idea of counterfeiting through Yuan copying an ancient art and the comparison with him coming to the US of A as a counterfeit of X was made. It was sad that Yuan couldn't express his own artistic talents.

It was nominated for the Orange Prize for fiction but not shortlisted.

Conclusions: An easy read, mixed opinions, she could do better. Marks 6. =/- 1


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